These Latin settings by eight great vocal composers of the sixteenth century display a variety of scoring, textures and harmonic language that is mirrored in their intensity and attention to detail.

Josquin's Miserere, referred to as 'epic', 'massive', 'courageous' and 'bold' with similarities in stature and significance frequently drawn between the music of Josquin and Beethoven, opens the programme. Josquin's musical architecture, and his sensitivity to the text, combine to produce a work of astonishing delicacy, with kaleidoscopic twists and turns, rich and subtle use of texture, and variety exploiting and illustrating the text with a heartfelt empathy. Both challenging and thrilling to sing, Josquin's Miserere perfectly demonstrates why Magnificat's world-class reputation for clarity, flawless intonation and purity of tone is second to none.