Shostakovich: Symphony No. 11
Shostakovich: Symphony No. 11
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- Symphony No. 11, Op. 103, 'The Year 1905' The Palace Square: AdagioComposer(s) Dmitri ShostakovichArtist(s) Alexander Lazarev
Symphony No. 11, Op. 103, 'The Year 1905' The Palace Square: Adagio
15:58$5.75 - Symphony No. 11, Op. 103, 'The Year 1905' The Ninth of January: Allegro - Adagio - Allegro - AdagioComposer(s) Dmitri ShostakovichArtist(s) Alexander Lazarev
Symphony No. 11, Op. 103, 'The Year 1905' The Ninth of January: Allegro - Adagio - Allegro - Adagio
19:43$7.25 - Symphony No. 11, Op. 103, 'The Year 1905' In Memoriam: AdagioComposer(s) Dmitri ShostakovichArtist(s) Alexander Lazarev
Symphony No. 11, Op. 103, 'The Year 1905' In Memoriam: Adagio
08:50$3.25 - Symphony No. 11, Op. 103, 'The Year 1905' The Tocsin: Allegro non troppo - Allegro -- Adagio - Moderato - AllegroComposer(s) Dmitri ShostakovichArtist(s) Alexander Lazarev
Symphony No. 11, Op. 103, 'The Year 1905' The Tocsin: Allegro non troppo - Allegro -- Adagio - Moderato - Allegro
15:50$5.75
Total running time: 60 minutes.
Album information
Russia's foremost conductor, Alexander Lazarev, conducts Shostakovich's nationalistic Symphony No. 11, the RSNO's debut on Linn Records.
The driving force behind this major new recording is the RSNO's principal conductor, Alexander Lazarev. Having been born and educated in Russia, and witness to some of the concerts given by the composer himself, Lazarev is in a unique position to present these symphonies with empathy and authenticity.
Alexander Lazarev clearly knows his Shostakovich and is absolutely dedicated to the cause of laying out a definitive chronicle of the composer's symphonic development. While giving full vent to the lighter whirlwind movements, the conductor aims to bring a serious and empassioned expression to the complex and sometimes contradictory messages that the composer displays (or perhaps hides) in these works.
This is indeed a symphonist from the midst of the 20th century, displaying all the complexities and contradictions of life, and allowing his art to be approached in a number of different ways. The interpretation is very much in the ear of the listener.