Kagami - Mirror
Kagami - Mirror
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- The First Part of Ayres, French, Pollish and Others: No. 15, Good againeComposer(s) Tobias HumeArtist(s) Kaori Uemura
The First Part of Ayres, French, Pollish and Others: No. 15, Good againe
05:50$2.30 - 5e livre de pièces de viole, Suite in F Major: Prélude en harpègementComposer(s) Marin MaraisArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
5e livre de pièces de viole, Suite in F Major: Prélude en harpègement
01:46$2.30 - 4e livre de pièces de viole, Suite d’un goût étranger: La fougadeComposer(s) Marin MaraisArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
4e livre de pièces de viole, Suite d’un goût étranger: La fougade
02:45$2.30 - Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: I. AdagioComposer(s) Johann Sebastian BachArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: I. Adagio
01:41$2.30 - Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: II. AllegroComposer(s) Johann Sebastian BachArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: II. Allegro
04:10$2.30 - Première Suitte: I. PréludeComposer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: I. Prélude
01:33$2.30 - Première Suitte: II. Allemande "La Mantrÿ"Composer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: II. Allemande "La Mantrÿ"
03:07$2.30 - Première Suitte: III. Le Tendre EngagementComposer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: III. Le Tendre Engagement
04:08$2.30 - Première Suitte: IV. Rondeau "Le Gruer"Composer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: IV. Rondeau "Le Gruer"
02:17$2.30 - Première Suitte: V. SarabandeComposer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: V. Sarabande
02:43$2.30 - Première Suitte: VI. FugueComposer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: VI. Fugue
04:25$2.30 - Première Suitte: VII. Musette "La Favoritte"Composer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: VII. Musette "La Favoritte"
03:29$2.30 - Première Suitte: VIII. La BadineComposer(s) Charles DolléArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Première Suitte: VIII. La Badine
02:17$2.30 - Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: III. AndanteComposer(s) Johann Sebastian BachArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Sonata a Viola da Gamba e Cembalo Obligato in D Major, BWV 1028: III. Andante
04:16$2.30 - Dido and Aeneas, Z. 626, Act III: When I am laid in earthComposer(s) Henry PurcellArtist(s) Kaori Uemura
Dido and Aeneas, Z. 626, Act III: When I am laid in earth
03:57$2.30 - Pièces de Violes, Deuxième suite: III. Pompe funèbre. Très gravementComposer(s) François CouperinArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Pièces de Violes, Deuxième suite: III. Pompe funèbre. Très gravement
04:18$2.30 - Italian Concerto in F Major, BWV 971: II. AndanteComposer(s) Johann Sebastian BachArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
Italian Concerto in F Major, BWV 971: II. Andante
04:27$2.30 - 2e livre de pièces de viole, Suite in A Major: FantaisieComposer(s) Marin MaraisArtist(s) Aline Zylberajch Kaori Uemura Ricardo Rodriguez Miranda
2e livre de pièces de viole, Suite in A Major: Fantaisie
05:47$2.30
Total running time: 62 minutes.
Album information
The yamato word for mirror, 鏡kagami, can be read as “kami (divinity) surrounding ga (self)”: if you look in a mirror, what you see is your own self surrounded by divinity.
Kaori Uemura has called her tale Kagami, because she believes that music reflects the inner depths of the self in the same way as a mirror. Mirrors were used in art as a reflection of what is, and as an allegory of truth and wisdom, a means of knowing yourself as you are. This recording is also a tribute to the Baroque composers who saw music not only as a mirror of divine creation, but equally as a means of expressing human emotions through musical figures which could produce specific affects.