A large number of them were composed for use in churches, the most famous of these being the Messe pour plusieurs instruments au lieu des orgues that has already been recorded by Jean Tubéry and La Fenice for Ricercar. Charpentier composed the Sonate à huit around 1685, at a time when various private musical societies were exploring the Italian sonata style. Charpentier discovered this style at the same time as François Couperin, who also set about composing sonatas in the Italian style. Couperin’s sonatas were,recorded splendidly last year by Les Dominos for Ricercar (RIC 330); the recording was praised highly by the musical press, being awarded 5 Diapasons and an FFFF by Telerama. Charpentier’s Sonate à huit blends the Italian style with the French suite of dances and as such is one of the masterpieces of instrumental music of the French baroque. The symphonies Pour un Reposoir were intended to accompany an outdoor procession, an organ naturally not being available. The greater part of the CD, however, is taken up by the Noëls pour les Instruments which Charpentier set for instrumental ensemble and organ. Our interpretation of this work is based on the original manuscript and respects the marked instrumentation as well as Charpentier’s own specifications for organ registrations. We have also recorded the original versions of the above-mentioned Christmas carols, complete with their many verses as they appeared in French collections published at the beginning of the 18th century.